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NaBloPoMo 2011

Random things culled from the Interwebs

I’m having a bit of an infographic contest with a friend of mine. Every couple of days she’ll send me a link to an infographic by email. I, in turn, will counter with a link to another infographic. It’s really a modern, data fueled one-up-manship contest just like those you might overhear in a pub on a Friday night…only with visuals.

To that end, here are a few things we’ve both found interesting in the past couple of weeks.

The Story of Broke

Brought to you by Annie Leonard (The Story of Stuff, The Story of Electronics) and the fabulous team at Free Range Studios, The Story of Broke “calls for a shift in government spending toward investments in clean, green solutions—renewable energy, safer chemicals and materials, zero waste and more—that can deliver jobs AND a healthier environment. It’s time to rebuild the American Dream; but this time, let’s build it better.”

99% v 1%: the data behind the Occupy movement

The Datablog at The Guardian regularly produces fabulous graphics from unimpeachable data sources. For this article and animation they take a look the Occupy movement’s slogan that it represents “the 99%” to determine if that figure is accurate.

XKCD: Money (pretty much all of it)

The great thing about XKCD is that it’s a comic but it’s also drawn by a massive geek which means there are sometimes great opportunities for data presented visually. Monday’s cartoon is all about money visually representing how much it takes to do certain things.

XKCD from 21 November 2011

Finding the scent

Well, I’m sucking at this NaBloPoMo thing. It’s now the 17th of the month and I’ve only written 10 entries. That means I’ve missed a week’s worth of entries. In some ways I’m surprised by this; it’s not as if I’ve got a wild social life that’s taking up a ton of time. In other ways, it’s pretty much par for the course.

Loathesome Job has had a lot of deleterious effects on my personality over the past 8 months. In order to survive, to keep my spleen from exploding from both astonishment and outrage I’ve had to spend a lot of mental and emotional energy detaching:

  • I have learned not to care about the fact that virtually everyone I work with has a rampant case of not my job-itis.
  • I have learned not to care that the person who is ostensibly in charge of making the websites my group works on good thinks that making the experience pleasant for the user is the same as making sure someone who is blind can access the site at all.
  • I have learned, mostly, to stifle my bullshit alarm when Management sends a note out saying that the IT guy will be around to install webcams on all our computers but it’s not so they can watch us during the work day.
  • I have learned to accept that I’ve been given what is essentially a window watcher job because Management has such a need to control its staff that they’d rather waste my talents than give someone on the “content” side “technical” tasks.

I’ve detached so well that things that used to really bother me merit merely a weary shrug these days. I can’t seem to get exercised about or involved in virtually anything.

It does not help that it is midnight outside at 5pm. It does not help that I work in a 12 ft x 8 ft cubicle jammed into an interior room with 14 other 12 ft x 8 ft cubicles. It does not help that when I do make it out of my office building there is nothing, and I mean nothing, stimulating in the vicinity. It does not help that almost my entire support system, anemic as it is, exists no where near me physically (not to mention the fact that everyone in my support system is dealing with their own problems right now).

Manhunter, 1986

There’s this great scene in the movie Manhunter, in fact it’s the first time we meet Hannibal Lecktor (Brian Cox). Will Graham (William Petersen) has brought the files from the Toothfairy case to Lecktor ostensibly to get the doctor’s opinion on the killer’s motives and methods.

Lecktor realizes that Graham isn’t actually there to get his opinion on the case. No, Graham is there to get the old scent back, to get back into the mindset that allowed him to catch Lecktor in the first place.

I’m afraid that I’ve detached so well that I’ve become detached not only from life but from who I am and what I want. I’m even more afraid that I won’t be able to get my own scent back.

Ten rules for dealing with crazy

  1. If you don’t have to deal with a crazy person, don’t.
  2. You can’t outsmart crazy. You also can’t fix crazy. (You could outcrazy it, but that makes you crazy too.)
  3. When you get in a contest of wills with a crazy person, you’ve already lost.
  4. The crazy person doesn’t have as much to lose as you.
  5. Your desired outcome is to get away from the crazy person.
  6. You have no idea what the crazy person’s desired outcome is.
  7. The crazy person sees anything you have done as justification for what she’s about to do.
  8. Anything nice you do for the crazy person, she will use as ammunition later.
  9. The crazy person sees any outcome as vindication.
  10. When you start caring what the crazy person thinks, you’re joining her in her craziness.

Anonymous

Poster: Anonymous (2011)Who was William Shakespeare?

Questions about William Shakespeare’s identity have been floating around since the 19th century with guesses as varied as Francis Bacon and Christopher Marlowe. In 2007 Time Magazine reported on the public emergence of some 300 Shakespeare skeptics asking to be taken seriously. Among the signatories to that 2007 “Declaration of Reasonable Doubt” was Shakespearian actor Derek Jacobi who gives the prologue and epilogue that frame the story of Anonymous.

Opening near the end of Queen Elizabeth I’s reign, we’re rapidly introduced to a wide cast of characters, both noble and not, including playwrite Ben Jonson (Sebastian Armesto) who is plucked out of near obscurity by Edward de Vere (Rhys Ifans), the 17th Earl of Oxford, who chooses Jonson to serve has his theatrical beard paying the struggling playwrite handsomely to present de Vere’s plays as his own.

Both the backstory and the current struggles to position the correct man to inherit the throne from a rapidly decaying Elizabeth (Vanessa Redgrave) intertwine with the political nature of de Vere’s plays.

Taken in by William Cecil (David Thewlis) after his father’s death, the young de Vere (Jamie Campbell Bower) agrees to marry Cecil’s only daughter as part of the price for covering up the killing of a houseman the Puritan Cecil had sent to de Vere’s chambers to find out if the young man was, indeed, composing plays and poems in defiance of Cecil’s wishes.

Young de Vere catches the eye of a younger Elizabeth (played in a wonderful bit of casting by Redgrave’s daughter Joely Richardson) leading to a torrid affair which results in the Queen’s pregnancy. Shunned for reasons not known to him when she is sent off to have the child away from the court’s prying eyes, de Vere begins a revenge affair with one of the Queen’s maids only to be exposed upon her return to London and banished from court for the remainder of his life. Before returning to his wife, de Vere manages to pry out of William Cecil information about his offspring, the Earl of Southampton (Xavier Samuel) who in the film’s current time line allies himself with the Earl of Essex (Sam Reid) in his bid for Elizabeth’s throne.

Jonson, meanwhile, has an attack of conscience revealing to a middling theater actor named William Shakespeare (Rafe Spall) that he is just the front for the aristocrat who has actually penned the first brilliant play, Henry V, staged. Shakespeare, seizing the moment, steps into the spotlight as the groundlings call for the playwrite setting in motion what we are to believe is the biggest literary fraud ever perpetrated on the world.

Tensions mount as more of de Vere’s plays are staged and Robert Cecil (Edward Hogg), the hunchbacked son of William, takes over as Elizabeth’s closest advisor after his father’s death. Maneuvering to have both the Earl of Essex and the Earl of Southampton eliminated in favor of his candidate for King, James of Scotland, Cecil manipulates de Vere with the unwitting help of Ben Johnson.

The outcome of the story is, of course, known: James of Scotland becomes James I of England, Scotland, and Wales, William Shakespeare becomes the greatest author who ever lived, and Ben Jonson becomes England’s first Poet Laureate. While Anonymous makes an interesting case that Edward de Vere was the true author behind the words we attribute to William Shakespeare the movie also posits one stunning, unbelievable fact that can’t be revealed without spoiling the end of the film; the timing along strains credulity.

Anonymous is beautifully crafted and acted and a grown-up intellectual exercise into one of literary history’s greatest mysteries.

Device Review: LG Optimus V

LG Optimus branded for Virgin Mobile

Back in the early spring when I got the Lothesome Job I also decided since my new employer would be severely limiting my access to the Internet it was time to upgrade to a “smart phone.” I choose not to go with the iPhone for a few reasons.

At the time my early-adopter techie friends were almost universally telling me that in DC the iPhone was a great computer and a really crappy phone. This was right before the iPhone provider landscape opened up when the only option was AT&T which has surprisingly bad coverage in my major metropolitan area. The other reason I decided not to go with the iPhone is because I am almost infinitely cheap.

The cost of the device isn’t the issue. The cost of the device is never the issue. It’s always the cost of the overpriced service plan that makes me hesitate when it comes to mobile devices.

In DC you can’t get an iPhone service plan for less than $69.99 per month. In fact, the current price for a plan for the iPhone 4 (16 GB) for basic access, the lowest priced text messaging plan, and 5 GB of data transfer (that’s browsing the web, checking email, tweeting, scrolling through Facebook) is $94.99 per month on Verizon. A comparable plan from AT&T costs $104.99 per month. That’s a Benjamin+ every month before taxes just to have access to their network.

Right now I pay my cell phone service provider $25 per month, plus tax, for unlimited talk minutes, unlimited texting, and unlimited web browsing, and right now I’m paying for about $10 per month more access than I actually use. I do all the talking, texting, and browsing I do using the LG Optimus V which is LG’s Optimus line specifically branded for Virgin Mobile.

Since the Optimus is the only smart phone I’ve ever had I admit a narrowness of experience in saying this: the user experience design on this phone pretty much sucks.

Some of this is due to the fact that it’s an Android based phone. Given that Android is an operating system developed by a company whose primary business is search it shouldn’t be surprising that the browser on this phone defaults to search. Unfortunately, search isn’t my natural inclination. Defaulting the browser to search also doesn’t make a lot of usability sense given how oriented toward applications the mobile phone market is; if you want to find a restaurant near your location it’s likely you’ve got an application specifically for that functionality and you’re unlikely to plug that query into Google. The biggest reason the user experience design on this phone sucks, though, is directly due to the hardware and software interaction.

The “home” button on this phone functions inconsistently; sometimes it takes you home to the main page of the application you’re using and sometimes it takes you to the phone’s home screen. More important is how the off button functions.

The hardware button on this phone brings up a menu that includes:

  • Silent mode
  • Airplane mode
  • Phone off

Selecting “phone off” doesn’t actually turn the phone off. The OS on this phone requires confirmation that yes, you do really want to turn the device off. Given that you have to hold the hardware button for several seconds in order to bring up the menu and then you must tap a selection on said menu, confirmation seems like an unnecessary step for the user.

The off button on this phone doesn’t turn the phone off. No, in order to actually turn this phone off you have to hold the hardware button long enough for a menu to come up. From that menu you must then select “Turn Off” and then confirm that yes, you mean to turn the phone off.

I realize this is a gold-plated problem but since user experience design is part of what I do professionally it’s increasingly hard not to apply that knowledge to the rest of my life.

If you don’t mind inconsistently functioning buttons and a slightly cumbersome interaction for basic functionality, the LG Optimus isn’t a bad entry level smart phone. If you want something you don’t have to figure out, this isn’t the phone for you.