Mar
12
2008

Is it real or is it memoir?

Almost everyone who has written fiction with any sort of dedication has had the fantasy. You hold the book in your hand. The dust jacket crinkles a bit as you weight the volume by the spine and find that it is heavier than you imagined it would be. You don’t quite register your name on the cover but there it is just the same.

You open it and the spine creaks just a bit in that special way that only a brand new book can. The paper is heavy, at least 24lb bond as you flip passed the mandatory blank page, the frontispiece that in previous eras would have held an engraving because there was no four-color photo on the dust jacket.

You turn the title page to the dedication and yes, there is the list you slaved over, you considered so carefully – should you list your mother first or your girlfriend; will that creative writing teacher who was so important to you even remember that you took her class?

And in this fantasy as you hold this book in your hand you imagine sending it to all the people you want to share your joy with and to all the people who told you that you shouldn’t bother to write another word just so you’ll have the deep, abiding pleasure of knowing that they know that you proved them wrong. Sometimes in this fantasy your name is foil embossed on the dust jacket instead of just printed.

I have this fantasy periodically and I now realize that I’ve been going about it all wrong. Instead of writing fiction what I need to do is write fiction that is plausible as memoir, sell it as such, and then recant publicly, preferably on Oprah, or perhaps in The New York Times.

Sarah McGrath, the editor at Riverhead who worked with Ms. Seltzer for three years on the book, said she was stunned to discover that the author had lied.

“It’s very upsetting to us because we spent so much time with this person and we felt such sympathy for her and she would talk about how she didn’t have any money or any heat and we completely bought into that and thought we were doing something good by bringing her story to light,” Ms. McGrath said.

“There’s a huge personal betrayal here as well as a professional one,” she said.

It sort of makes me wonder, does McGrath not realize that she, too, is responsible for a professional betrayal? Just what obligation does a book publishing company have to the book-buying public? More to the point, when did all media become unreliable?

I ceased to believe anything I saw on television over a decade ago. At the time I was working in a video post production house, you know, the kind where they cut together commercials – “Act fast and will throw in a bonus CD for only $1.99!” – and other more highbrow fare. Most of it, though, was corporate videos, those boring, brutish things you often have to sit through at the company retreat, the ones that make you wonder how much fatter your check would have been had they not blown all that money on the 15 minute corporate video.

It was during an editing session for one of these where I stopped believing my eyes, at least with respect to anything I saw on a television screen: we made the Senior Vice President taller and thinner. Yes, right there in the effects box we added at least three inches to the top and took as many off the sides of a pudgy, balding little executive.

It used to be that you could trust what you saw in print. Yes, journalism is never truly objective but you had some semblance of security that you were at least getting objective facts – a man was robbed, someone held a press conference – about an event if not about what the event means. And it used to be that you could trust your books. You took biographies with a grain of salt as they were often written by someone with an ulterior motive whether that motive be laudatory or disparaging.

Fiction was fiction and it was labeled as such. None of this James Frey, JT LeRoy, Margaret Seltzer bullshit. Thirty years ago no one would have dreamed of faking a holocaust memoir in which she claimed to have lived with wolves – actual wolves not metaphorical ones – after her parents were killed by the Nazis.

More, what does it say about us that fiction writers have to struggle to get published, that journals like McSweeney’s are publishing authors like Stephen King and Joyce Carol Oates who have absolutely no need for a hand up yet fiction, interesting, evolved fiction is having to pass itself off as “true story” material?

Nov
27
2007

Official count: 50,229

But that doesn’t mean the book is finished, or even ended (after all, it is book 2 of 3, or so I’m told).

I got this, though, just to make me happy.

NaNoWriMo 2007 Winner certificate, personalized

See it as a PDF

Nov
20
2007

40,270

Sometimes writing is better than sex.

And before anybody blows shit at me about the quality of my sex life 1) read the above statement carefully, and 2) look deep in your heart and answer this question: how many novels have you written?

Nov
17
2007

Uh…who are these three characters

…and where did they come from?

Suddenly I’ve got a pool hustling singer/mage in my book, a horsemaster who reminds me of the kind of man I’d want to be if I wanted to be a man, and an alchemist who reminds me a little of a sad sack co-worker (though I suspect that my alchemist is going to be more reliable than my co-worker).

I give you, because it helped me so much, Neil Gaiman’s week 3 NaNoWriMo pep talk e-mail:

Dear NaNoWriMo Author,

By now you’re probably ready to give up. You’re past that first fine furious rapture when every character and idea is new and entertaining. You’re not yet at the momentous downhill slide to the end, when words and images tumble out of your head sometimes faster than you can get them down on paper. You’re in the middle, a little past the half-way point. The glamour has faded, the magic has gone, your back hurts from all the typing, your family, friends and random email acquaintances have gone from being encouraging or at least accepting to now complaining that they never see you any more—and that even when they do you’re preoccupied and no fun. You don’t know why you started your novel, you no longer remember why you imagined that anyone would want to read it, and you’re pretty sure that even if you finish it it won’t have been worth the time or energy and every time you stop long enough to compare it to the thing that you had in your head when you began—a glittering, brilliant, wonderful novel, in which every word spits fire and burns, a book as good or better than the best book you ever read—it falls so painfully short that you’re pretty sure that it would be a mercy simply to delete the whole thing.

Welcome to the club.

That’s how novels get written.

You write. That’s the hard bit that nobody sees. You write on the good days and you write on the lousy days. Like a shark, you have to keep moving forward or you die. Writing may or may not be your salvation; it might or might not be your destiny. But that does not matter. What matters right now are the words, one after another. Find the next word. Write it down. Repeat. Repeat. Repeat.

A dry-stone wall is a lovely thing when you see it bordering a field in the middle of nowhere but becomes more impressive when you realise that it was built without mortar, that the builder needed to choose each interloc king stone and fit it in. Writing is like building a wall. It’s a continual search for the word that will fit in the text, in your mind, on the page. Plot and character and metaphor and style, all these become secondary to the words. The wall-builder erects her wall one rock at a time until she reaches the far end of the field. If she doesn’t build it it won’t be there. So she looks down at her pile of rocks, picks the one that looks like it will best suit her purpose, and puts it in.

The search for the word gets no easier but nobody else is going to write your novel for you.

The last novel I wrote (it was ANANSI BOYS, in case you were wondering) when I got three-quarters of the way through I called my agent. I told her how stupid I felt writing something no-one would ever want to read, how thin the characters were, how pointless the plot. I strongly suggested that I was ready to abandon this book and write something else instead, or perhaps I cou ld abandon the book and take up a new life as a landscape gardener, bank-robber, short-order cook or marine biologist. And instead of sympathising or agreeing with me, or blasting me forward with a wave of enthusiasm—or even arguing with me—she simply said, suspiciously cheerfully, “Oh, you’re at that part of the book, are you?”

I was shocked. “You mean I’ve done this before?”

“You don’t remember?”

“Not really.”

“Oh yes,” she said. “You do this every time you write a novel. But so do all my other clients.”

I didn’t even get to feel unique in my despair.

So I put down the phone and drove down to the coffee house in which I was writing the book, filled my pen and carried on writing.

One word after another.

That’s the only way that novels get written and, short of elves coming in the night and turning your jumbled notes in to Chapter Nine, it’s the only way to do it.

So keep on keeping on. Write another word and then another.

Pretty soon you’ll be on the downward slide, and it’s not impossible that soon you’ll be at the end. Good luck…

Neil Gaiman

Neil Gaiman is the author of the New York Times bestselling children’s book Coraline and of the picture books The Wolves in the Walls and The Day I Swapped My Dad for Two Goldfish. He is also the author of award-winning novels and short stories for adults, as well as the Sandman series of graphic novels. His most recent novels include InterWorld and Anansi Boys. For more info on Neil, visit www.neilgaiman.com

I wrote 900 words after I read this. And they were good, electric, living, breathing words. Now I just need to find 2,000 more tomorrow.

Nov
11
2007

NaNo Note

Never. skip. writing. every. day. It’s so much easier to write 2,000 words per day than it is to try to “make up” a 4,000 word deficit even if you have the entire weekend to do it.

Starting to feel less like a hack. Not sure this is a good thing.

Nov
09
2007

Quote of the day

When in doubt, have a man come through the door with a gun in his hand.
-Raymond Chandler

I thought this apt as I struggle with how to interweave my various plot threads. No word count update today. I’ve been scribbling by hand the past few days which is very physically satisfying but not so easy to keep track of.

Nov
06
2007

Day 6: Right on cue, I feel like a hack

It’s taking me about 40 minutes to get warmed up. Not anything new or surprising. I’m also starting to feel like a hack. Right on cue my internal editor unleashes its claws and grips my neck, all the better to get access to my ear so it can whisper things like “You have 12,000 words worth of prologue. Are you stupid? That’s like George Lucas telling the entire first act of Star Wars in that bullshit ’50s era crawl!”

I had to kill a character today. It made me miss my uncle. No, writers don’t turn themselves inside out or anything, not at all.

Word count on the right. Tomorrow: 2,000 more. But at least Metro is obliging me with “minor delays” which let me get the most out of my morning commute.

Oct
31
2007

Tuning up

It’s the 31st of October and my interior band leader is smiling. She’s standing there in her black and white looking like part of the Lesbian Mafia, baton in hand, just smiling that little half-smile that fairly screams “I’m good. I know I’m good. You know I’m good. So why are we still talking about this?” You see, National Novel Writing Month starts tomorrow and I fully intend on writing another book this year.

OK, so the first book I wrote didn’t actually get “finished” until January 2005, and truthfully I don’t consider it finished because I still have some character motivations to work out and I haven’t gotten the courage to shop it around yet.

My second book I wrote in a stupor in November 2005. It was a refuge from the horror of the event horizon I could see coming and hoped against all hope was a mirage. I got to immerse myself in a world that while not completely happy didn’t on the surface have much to do with what was going on in “the real world.”

In 2006 I was just too wiped out both creatively and physically to consider trying a book. 2006 was NaBloPoMo year and it probably saved my creative life. NaBloPoMo got me writing again when I couldn’t envision myself ever again putting pen to paper or fingers to keys for anything but work. And while all my entries aren’t great art, at least I didn’t descend into the cheating that is just posting random quotes (and yes, it is cheating; while it fills the blog it’s not original writing unless you expand upon or analyze said quote).

But this year even as part of me wants to run around like a naked Junior on crystal meth at the SATs, the band leader in me stands quiet and calm. Yes, I’ve got three interweaving plot lines and some gaping holes in my outline of one of them (just how does that conspiracy of mages figure in to what’s happening now with the evil wizard’s blood magic?), I’ve lost my baby name book and still can’t find something portentious to name the kid I need to name (sorry, Jim, dudette is out), and I’ve got a character banging on the door shouting to be let in (who is Ryan, what is her destiny, and why is she always wearing that ratty, navy blue hoodie?) but the band leader knows that starting tomorrow all this swirling energy will coalesce into something More. In his kick-off pep talk e-mail NaNoWriMo founder Chris Baty writes

The secret of NaNoWriMo which is this: There is a door in your brain. The door has been there your whole life. You may not have noticed it before because it blends in with everything else in your brain. Weird art. Mismatched furniture. Squishy gray bits clinging to everything.

So what does this door have to do with your novel?

Your job this month is not so much writing a book (which is intimidating) as it is finding that door (which is easy).

It’s easy because you’ll have guides in November who will take you right to it.

These guides are also known as your characters. They’re kind of an abstract notion now, but you’ll meet them in all their glory in Week One of NaNoWriMo. They’ll be a strange lot. Insecure warlocks. Stamp-collecting squirrels. Teenage detectives.

Whoever shows up, go with them. And go quickly. You may have a general sense of where you’re going together; you may not. It doesn’t matter. Just write your allotment of 1667 words (or more) on November 1. Don’t edit any of it. Editing is for December. Then come back and write another 1667 words the next day. And the next. And the next.

By Week Two, you’ll be at the door. A few words later, you’ll be through it. You’ll know you’re there because the writing will feel different. Less like work, and more like watching a gloriously imperfect movie with cringe-worthy dialogue, heaps of confusing tangents, and moments of brilliance so delightful that you’ll want to scream.

Once you’ve stepped through that door into the vast reaches of your imagination, you’ll be able to return there as often as you like. It’s an enchanted, intoxicating place, and there are other great things besides novels in there.

Regardless of the timing, my marching band and I plan on heading for that door tomorrow.

Oct
28
2007

I never thought I’d say this

But I can’t find a decent baby name book.

I’m down to the wire with outlining for NaNoWriMo and I’ve lost my damn baby name book. It’s somewhere in the house but who the hell knows where.

Now I just need to find a girl’s name that reminds her mother of her lost love and conveys the child’s spirit and destiny. No, that’s not asking too much before Thursday.

I feel like a horse in the gate on the first Saturday in May.

NaNoWriMo
T-3 days and counting.

May
30
2007

Quote of the day

Art is a lie that makes us realize truth.
- Pablo Picasso