Aug
31
2008

Everyday myth

I’ve been thinking about myths lately, their place in our modern world, why we crave them so, and how we satisfy our need for them. Appropriate given the highly packaged, minutely stage managed myth-generation factory that is the recently completed Democratic National Convention in Denver, CO.

People with a lot more dedication than I have spend years studying Greek myths and how those archetypes apply to current society and culture but so far in the dissection of what your inner goddess might be and how those myths affected the development of every European culture and religion nothing has yet made it to the pop non-fiction charts that talks about why the need for myth is so pervasive in current American culture. And make no mistake, we do need myths just about as much as we need clean water and oxygen to breathe.

The fact is that American life, and probably life in just about every other developed, stable culture on the planet, is nasty and brutish despite the magnificent creature comforts of indoor plumbing, reliable water supplies, and the 8 hour work day, and it delivers diametrically opposed messages about who and what you should be. In myriad ways our culture tells us that unless you achieve some modicum of celebrity, whether its because you discover the disease or the cure for the disease, become President, go on a multi-state killing spree, or simply because you’ve whored yourself out enough to become famous simply for being famous, you will not be remembered. You are unimportant. You. do. not. matter.

It is this search for import which has extended to a search for existence itself that, I think, drives the currently in vogue constant striving for any bit of celebrity – your video gets a zillion hits on YouTube, your picture from that time when you were drunk and you did that thing that someone posted on MySpace gets circulated around the planet by a bunch of bored frat boys, your trollish, hate filled rantings get you coverage in the New York Times – that justify your existence. It is the other message, though, that really confuses, and that, when combined with this first message that celebrity is the only thing that makes you real, that makes you matter, causes modern life to be such a complete and utter mindfuck.

The other message we get from our culture is that we are vitally important and our culture can not function without us. Everything we do matters, from the kind of light bulbs we choose to the choices we make at the ballot box. Our dollars matter, our opinions matter, what we think, drive, eat, buy, save, spend, and how we amuse ourselves are the engine that keeps our culture running. Every one of us has something valuable to contribute withdrawing from the work-earn-spend grind is the absolute worst thing we can do.

Is it any wonder culturally we’re a disoriented mess?

It is these diametrically opposed messages that drive the search for meaning that is expressed in art and in the better realms of pop culture. The best examples of this in pop culture, like Joss Whedon’s Firefly/Serenity series or his most excellent Buffy The Vampire Slayer are the perfect blend of the everyday, which all of us have in abundance and myth, the sense of purpose larger than your own life, something that Matters and that you know deep down with utter conviction that if you do not do them history will turn that way instead of this way and people, for it’s always people, worse off and the world will be harder, crueler, and life will be exceedingly less pleasant for those with the least power.

The thing is, most of us don’t have myth in our everyday lives. The reality for most of us is that we really don’t matter in that big picture echoing through history sort of way. If we blinked out of existence tomorrow history wouldn’t even notice. Indeed, the mechanics of life down here in the everyday would barely notice as another fungible body took over our jobs and our place in the consumption-excretion-reproduction chain of life.

But here’s the real rub: we do have myth just not on the scale we’ve been sold.

Most of us will do something important, something that qualifies for mythological status in some way even if it is only in one person’s history. The sad thing is that most of us will never see it. We will act casually, concentrating on our own aches and pains, our own grasping for happiness, and will be unaware of the ramifications of our actions. Later, we will lament our lack of import not knowing that we’ve already made our mark.

I think most of us know this in some way, even subconsciously, otherwise why would we place so much cultural emphasis on leaving “the world” better for future generations (quick hint: The children aren’t our future; the children are *their* future. You are your own fucking future.)?

Maybe it really all does come down to bread and circuses to distract us from the fact that the toilets need cleaning yet again or the fact that you have to get up and go to work every morning. Or maybe it’s about making our own myths by opting out of what society deems to be important. I don’t know. I wish I had the answer, though.

Aug
25
2008

Wanted

Drawn from Mark Millar’s hyper violent, supernatural comic of the same title, Wanted the movie drops both Millar’s supernatural elements and, frankly, the element of pure evil that made it vastly different from most of the “graphic novels” out there.

Wanted, both book and movie, is the story of Wesley Gibson a neurotic, anxiety prone, cheated upon, brow-beaten, dishrag of a man who just happens to be the son of the most talented assassin in the world. His recruitment by Fox (Angelina Jolie in a role that in the comic was clearly penned for Halle Berry) fills him and us in on the back story of The Fraternity, a group of assassins that has been operating for “thousands of years.” Their purpose: Kill one, a save thousand.

Sounds pretty far-fetched, right? This is where Hollywood had to deviate from Millar’s original text which has the Fraternity not as an altruistic order of killers descended from the practices of Christian monks but instead operating in a world where superheroes have all been conquered and The Professor has found a way to wipe the minds of everyone on the planet negating even the memory of those superheroes while he and his criminal peers who include an ancient Chinese warlord and a walking skeleton whose number one henchman is a living pile of excrement divide the planet up to rule as they see fit raping, killing, and thieving as it suits them. It is this deviation that is one of Wanted the movie’s major downfalls.

The film retains enough supernatural elements – the ability to “curve” a bullet, to jump a city block between office towers, to shoot someone from not hundreds of yards but miles away, a super-healing bath that can bring someone back from near death – that it stretches credulity even in a post-Matrix world. Granted, the stunts are amazing and it would be lovely to say that the devotion to the gun is typically American but sadly I can’t; Mark Millar is Scottish and Timur Bekmambetov, the film’s director, is Russian.

It was the necessity of making the characters and storyline even vaguely palatable to American audiences in the transition from graphic novel to film that is ultimately the film’s undoing. Wanted the comic celebrates not only the wantonness of violence but also takes pleasure in criminality for the sake of criminality; indeed, at one point Wesley, our nominal hero, wreaks violence on a bunch of police officers in a station house, including casually raping one of the female officers before he shoots her to death. This is not a set of characters or a storyline that corporate America (which is what Hollywood is) even at its most misogynistic and malevolent would dare to market.

Is it fair to judge Wanted-The Movie against Wanted-The Comic? Probably not. On its own the film is a slapdash, if intensely stylish, action film. To sharp to qualify in the “big, loud, and stupid” category, Wanted doesn’t even make for a good afternoon’s entertainment.

Aug
21
2008

Random musing from the ‘fridge

Why is it “tomato ketchup?”

The thought occurred to me as I ate lunch today and, thankfully, didn’t spooge my shirt with said condiment. Why is the word tomato necessary on the label? Is there zucchini ketchup? How about eggplant ketchup?

Or is it left over from a time when we (rightfully) didn’t trust companies to put good ingredients in their products and before they were required to tell us just exactly what was in there?

Either way, the thought fits the blog.

Aug
11
2008

WALL-E

WALL-E is worth seeing despite or maybe because of the controversy over the movie’s messages manufactured that those not blowing hard over the non-existent edginess of the current crop of political advertisements.

Regardless of what has been written by pundits and critics from publications as diverse as Entertainment Weekly and The National Review, WALL-E is pure genius in that, like most of Pixar’s other creations, it can be viewed on a variety of levels.

On one it’s a story about perseverance, evolution, and being true to yourself: Built to clean up humanity’s mess after we’ve completely destroyed the planet – the opening sequence of wind farm turbines up to their blades in trash nicely and succinctly skewers the current hype surrounding the need to concentrate on ameliorating climate change as we completely ignore humanity’s rampant over consumption of resources that is the root of all our problems – WALL-E (Waste Allocation Lift Loader – Earth class) is the last of his kind, and in the 700+ years since he was brought online not only has he done his job, he’s also developed a personality, one that’s curious about the objects he finds, and one that is more than a little bit lonely.

Enter EVE (Extraterrestrial Vegetation Evaluator) a sleek robot that some critics say echoes Apple’s design sense. Dropped off by a large, automated probe, EVE goes about her mission with ever increasing levels of frustration which she expresses by blowing things up with her embedded laser canon. Once she determines that WALL-E isn’t a threat, she follows him back to the cargo vehicle he’s been using as living quarters, the place where he stores and categorizes all the things that have caught his eye over the years, including the one thing EVE is looking for: evidence of plant life.

It is in his sharing of the things that have intrigued him and in his protective treatment of EVE while she is in hibernation mode waiting for pickup from the automated ship that dropped her and the other EVE units off on Earth that WALL-E most obviously evidences this first way to view the movie. When one thing or set of things fails to intrigue EVE, WALL-E finds something else to share, looks for some other way to connect. He takes care of EVE because it seems like the right thing to do. Indeed, WALL-E follows EVE into space because it seems like the right decision to him not because of some programming sub-routine or because of social pressure to behave in a certain way.

On another level, and this is the level that has drawn the most criticism, WALL-E is cultural critique. From that brilliant opening sequence with the wind farm buried in trash to the fact that it’s a corporation, Buy ‘N Large a not very subtle stand-in for Wal-Mart, that runs the U.S. at least and is responsible evacuating humans from the planet to the state of humanity after 700 years of having every whim catered to by obliging robots in a hyper-controlled environment, there is no aspect of our current self-indulgence and destructive over consumption that is spared.

Of course, it is a little hypocritical of Disney, Pixar’s parent company and one of the prime pushers of plastic crap we just do not need, to make a movie criticizing over consumption while still pushing promotional tie-ins of said plastic crap. But Disney’s hypocrisy doesn’t degrade either the message, or the fact that on the final level Pixar has made a story about connecting and what it means to interact with other people.

Is WALL-E perfect? Certainly not, but it’s a damn good movie regardless of your age.

Aug
10
2008

Movie review catch-up

I’m going to be playing a bit of movie review catch-up for the next few entries because, well, I can, and it’s easier than thinking about something original while work is trying to squish my brain out my ears.

Reviews of the following will be forthcoming:

WALL-E
Wanted
The Dark Knight
Hancock

Aug
07
2008

Who has the hammer?

Speaking truth to power has consequences that the people who advocate it as a life strategy don’t seem to understand.

If you are like me and you internalize stress and you make the mistake as I recently did of answering your boss’ question about not seeming to be “OK” with the truthful answer of “Well, actually, no, I’m not OK. I’m not especially happy with either my job or the organization at the moment. In fact, I’m so unhappy that Monday night I was puking and shitting blood at the same time and 95% of that was due to stress.” you may have spoken truth to power but you’ve also given power leverage over you.

You have told them just how much they can push you, just how much they can get you to wrap yourself around your own axle. Of course, any idiot who tries to manipulate you by using this information ignores the basic principle: an animal with nothing to lose is the most dangerous thing on the planet.

Given that my boss’ response to my answer was to tell me that I needed to not internalize so much stress is it any wonder I’ve initiated the exit strategy planning?